![]() REPAIR: With built-in intelligence, Auto-Tune SoundSoap knows precisely where your tracks need the most help. RESCUE: Auto-Tune SoundSoap can save the “unsavable” and bring damaged audio back to life.ĮNHANCE: Make subtle track-wide changes with Auto-Tune SoundSoap that combine for striking overall improvements.Īuto-Tune SoundSoap is available exclusively with Auto-Tune Unlimited, the premium subscription service that includes every current edition of Auto-Tune, Auto-Tune Slice and Auto-Tune Vocodist, all 11 of the vocal effects in the AVOX suite, unlimited upgrades for included plug-ins, free access to select future plug-ins from Antares, and free video tutorials in the Auto-Tune Vocal Production Academy. Current Auto-Tune Unlimited subscribers have immediate access to Auto-Tune SoundSoap at no extra cost. New subscribers can access Auto-Tune Unlimited for $24.99 paid monthly, or $14.58 a month with paid annual subscription. ![]() ![]() A free, 14-day trial is also available.ĭownload a Free Trial of Auto-Tune SoundSoap HereĪvailability: Available now to current Auto-Tune Unlimited subscribers. Price: Available exclusively with a subscription to Auto-Tune Unlimited for $24.99/mo or $174.99/yr.I know. But if you can't solve it by rolling off some bottom end, and setting the C4 up properly as well as even a c1 set up to lower the noisefloor, then the client should have been made aware in advance that this was going to be a problem, and give them the decision to ADR or not. If they decided to not ADR, then the responsibility that the final audio will sound pretty crappy rests entirely with them. In this case, the client delivered the files last night, and are too miserly to ADR the few moments that need fixing.Ĭ4 and c1, and too smooth it over add a compatible mono bg track.Īgreed. So, we are left with no alternative but to do the best we can with what we have. ADR would have been the obvious choice alright. My C4 and C1 should be arriving via FedEx in the morrow!!!!! Yipee. In the meantime, its back to the 48 hours before mixtime that I've left to begin and finish the 29 minutes of score! Now I'm going to try out the C's on it too and see how they can improve it further My plan had been to roll off on the bottom and add a good BG track to fill in the holes. The WaveArts lets you hone in on problem areas better and you don't have to deal with WUP! (but that's another story.) The 6 bands on the WaveArts vs the 4 on the Waves C4 can sometimes pull off miracles. I was particulary interested in this plugin as my alternative to the CAT 43 as there are several scenes that have way way to much wind noise on mics and I have to solve it this Sunday to be exact Have you any suggestions using either the C4 or the Wavearts? I'm starting my 30 day trial of the Wavearts bundle and toying with the bands and functionality. ![]() This kind of question is not something that anyone could answer without hearing the material. Wind noise could be low freq, hi freq or right in the diaouge range. ![]()
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